A L E X G A W R O N S K I

1). Alex Gawronski, Small Mercies, 2022

Created at Blenheim House, Blenheim House, Randwick, Sydney, NSW, Australia

 Plywood, single channel HD video, projected



2). Alex Gawronski, Threshold, 2017

Art Gallery of NSW (AGNSW), NSW, Sydney

The National: New Australian Art – Curated by Anneke Jaspers and Wayne Tunnicliffe

PVC, steel, plywood, mdf, bitumen, resin, acrylic and enamel paint



3). Alex Gawronski, Portal, 2017

Carriage Works, NSW, Sydney

The National: New Australian Art – Curated by Nina Miall and Lisa Havilah

Plywood, mdf, perspex, polystyrene, acrylic, metallic oxide and enamel paint



4). Alex Gawronski, Trouble Every Day, 2019

KNULP, Camperdown, Sydney, NSW

Installed fake corridor – Plywood, timber, acrylic and enamel paint, door handles, hinges, stainless steel letter box, fluorescent lights, Perspex, acrylic signage, telephone adaptor, collected detritus



5). Alex Gawronski, Extinction, 2020

Taita Artist Studio Residency, Málaga, Spain

Installation view: acrylic paintings on canvas board



6). Alex Gawronski, Big Cheese, 2016

‘Big Cheese’, Contemporary Art Tasmania (CAT), Hobart, Tasmania

‘Dark MOFO’, curated by MONA, Hobart

Plywood, latex, pine, brackets; digital print, framed



7). Alex Gawronski, Sick Mood at Sunset (etc.), 2018

KNULP, Camperdown, Sydney, NSW

Ply, timber, stain, wall-mounted lamps, amplifier, mini-CD player, speakers, wiring



8). Alex Gawronski, Wreckrospective, 2016

55 Sydenham Rd Marrickville, NSW, Sydney

Installation consisting of various artworks 1998 – 2016



9). Alex Gawronski, Fourth World Problems, 2018

True Estate, Brunswick East, Melbourne, VIC

Styrofoam, resin, Perspex, enamel paint, bottles, aluminium cans, leaves, twigs, cigarette butts, glass, paper; digital photos on archival cotton rag, framed



10). Alex Gawronski, Free Art, 2010

Peloton, Chippendale, Sydney

PVC pipe, timber, aluminium, acrylic and enamel paint, amplified sound of dripping tap